Comedy Festival

As autumn swings into winter, it’s time to look indoors for our entertainment options. To satisfy this need, the New Zealand International Comedy Festival is in its 33^rd year. International, as it includes many overseas performers, gracing us with their presence, as well as nationally-known and up-and-coming New Zealanders…and even internationally-known New Zealanders!

First cab off the rank, at least as far as we were concerned, was Nish Kumar. Unfortunately, New Zealand’s weather decided otherwise, and a storm that hit New Zealand caused the closure of the venue on the night we’d booked. The show was rescheduled to the following night, but at 10:30pm we figured it was way past our bedtime, so we took the refund instead. Bugger. I was looking forward to that one.

No matter, the following week we were booked to see Hayley Sproull, or Haley Everything as she should be known, as she seems to be doing everything these days. We first saw her when Miss Fletcher Sang The Blues in - crikey! - 2012! But since then she’s gone from strength to strength, with many hit stand-up shows, and starring in New Zealand comedies; participating in and hosting panel shows (7 Days, Have You Been Paying Attention?), and hosting the annual Comedy Gala for the last two years. She also has a radio show. She’s a busy woman! Her show, Baroness, was the by-now-familiar mix of over-sharing and stories of the DINK lifestyle, culminating in a date with Jason Momua.

The following night we were at Circa Theatre. Whilst not technically part of the Comedy Festival, they’re currently performing the comedic Give Way: The Musical. Nicola was on ushering duties, so we went along. This also gave us the opportunity to try out ChouChou, the new brasserie attached to the theatre, which has recently had a makeover. I had the snapper salad Nicoise, and Nicola had chicken Cordon Bleu. Note to any aspiring chefs out there: snapper is not a good substitute for tuna in a Nicoise.

The musical follows the adventures of Sophie, a newly-minted graduate in Traffic Management Engineering. She is anxious to make her mark on the world, and when the opportunity to revamp New Zealand’s weird give way rules presents itself, she leaps at it. The musical is based on a true story, in that the give way rules were changed in 2012 to fit in with what the rest of the world does. There’s a love story, inevitably; as well as protests, conniving, popularity-seeking, mental health, and insights into public policy-making which seem far-fetched but are probably true. A cast of five Circa stalwarts play all the parts, of which there were many: each actor had a main character, but also had to fill in for Sophie’s parents, The Minister of Transport, and other roles as required. All jolly good fun, and with the high production values we’ve come to expect from Circa.

We had a night off, then plunged back into the fray on Saturday night, going to see The Tape Face Show. We first saw Sam Wills when he was but a boy, called The Boy With Tape On His Face. He has since shortened his name and reached an international audience after reaching the finals on America’s Got Talent. His show is performed entirely without words, as you might expect, but there’s a lot of music (it helps to be familiar with what the songs are and the films associated with them), and a lot of audience participation. We were safe from this aspect as he generally needed people to be on or near the end of their row to be able to get up on stage, and we were well-placed in the centre of ours. He also played some of the classics, including Endless Love. We did, however, participate in the finale of the show, which involved 99 Red Balloons. Go see him if you get the chance, he’s hilarious!

Our final foray was something a little different – a comedy cabaret show called Revel at the Hannah Playhouse. They’d rearranged things inside from the usual tiered seating to provide an enlarged performance area centred on the bar, and some seating on the level with more tiered seating at the back. Revel is the name of the bar, or Speakeasy, and we were encouraged to arrive early to take advantage of the bar and have a cocktail. A jazz band was playing as we entered.

The bar was cleared for the performance, which included singing, dancing, comedy, burlesque, acrobatics and circus trickery; performed by a troupe of six. There was an interval when the bar was briefly open for business again, and then cleared away very quickly to allow the performance to continue. It was all jolly good fun and certainly a bit different from your standard comedy routines.

That’s about it for this year’s fest – but there’s plenty more entertainment to come over the winter in the nation’s cultural capital!