Equivocation is a play based on the premise that James I
asked William Shakespeare (known as “Shag”, short for Shagspeare, in this) to
write a play based on recent current events…the events in question being the
gunpowder plot. It’s been around for a few years and is now in a New Zealand
production at the Circa Theatre, one of Wellington’s smaller theatres.
We toddled along. It’s a long play, so they start at 6:30 in
order to finish at a reasonable time. Instead of dining out as usual, we
decided to go to the Circa’s in-house restaurant, Encore, for a quick dinner
before the 6:30 start. I’ve had a bit of a downer on Encore – I didn’t think
much to it last time we went there – but I think it’s improved a little since
then. There was nothing wrong with my tarakihi, and they were pretty prompt in
bringing it, so we weren’t rushed.
The play was performed on a bare stage with very few props –
a desk, a barrel/stool, a couple of other items. It’s also staged so that it
moves seamlessly from the actors in Shag’s company being in real life and
performing in rehearsals, or acting out drafts as Shag writes them. Shag’s
daughter, Judith, provides criticism and counterpoint to the protagonists, at one point delivering a
soliloquy about how she hates soliloquies. Very meta. The 6 actors play a
multitude of parts from Shag’s company through to the king, many of the
plotters, and other characters.
The king and his minion, Sir Robert Cecil, keep interfering
in the creative process – the king in particular insisting on having witches in
the play. Meanwhile, Shag is doubting whether it’s a good idea to do current
events, the credibility of the plot, and toying with the concept of doing a
play about what would happen if the plot had succeeded. The problem with this is that he’ll be doing a
play for a king, in front of a king, in which the king dies…not a good look,
career-wise.
Oh yeah, we loved it too.
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