Monday, October 17, 2022

Postmodern Jukebox

Postmodern Jukebox are a cover band. They do versions of (mostly) modern pop songs in various jazz styles, sometimes re-writing them so much that they’re almost unrecognisable from the original. What’s not to like about that?

First, of course, we went to dinner. Having been disappointed by Floriditas last time we went out, we decided to go whole hog and just do Logan Brown instead, which is always top quality. They, too, have been affected by inflation, and their three-course dinner is now $89; but even so, with cocktails and wine, it came to about the same as Floriditas, but with Logan Brown food. So guess where we’ll stick to next time?

 A short walk down Cuba Street took us to the Michael Fowler Centre, where we took our seats in the circle. The band came on, and played a load of mostly American hits – Thriller, I’ll Be There For You (the Friends theme song), Last Nite, Seven Nation Army, and All About That Bass were notable numbers. I’d post the entire set list, but setlist.fm don’t even acknowledge that the gig took place (although they do recognise Auckland’s), let alone remind me what the songs were.

At the beginning of the show, and in direct contravention of the usual rules applicable at Wellington venues, the MC explicitly allowed us to take pics and video, and encouraged us to post them online with a #PMJ tag. I’m sure there were a few pursed lips from venue staff who usually police the “no photography” clause with neo-nazi ruthlessness.




The songs are performed by various singers, sometimes solo, some duos and some in three-part harmony. Also included in the entertainment was a tap dancer, who tapped his way through a couple of numbers…fortunately not too many, because tap dancing, for me at least, wears thin pretty quickly.

Here’s a sample of them in action:

The party went on quite late, and we stayed up past 11 o’clock!


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