Cricket At The Hnry

Wellington’s stadium has gone through several iterations as name sponsors have changed. It started out as Westpac Stadium, then changed to Sky. The latest sponsor is Hnry, a New Zealand tax accounting company. So we now have the Hnry Stadium. Pronounced Hnry.

Whilst international test cricket is played at the Basin Reserve, Twenty20 and ODIs are increasing played at the Hnry, as they have floodlighting for day/night matches. This was the third match in a five match T20 series against South Africa. Both men’s and women’s teams are playing, leading to an eight-hour festival of cricket. 

This match is included in our Gold membership of Cricket Wellington, so we could access the member’s lounge. This is right under the scoreboard, which makes tracking what’s going on a little harder for us, as the screen at the other end of the ground is used largely for advertising, and only rarely do they update the scores there. Indoors, however, they also have several tv screens so we can keep up with the match. Also handy for the action replays!

The White Ferns were up first, starting at 2:45. We’d got there in plenty of time, and ensconced ourselves by the window. The Ferns are 2-1 up in the series, with a WLW record behind them. South Africa won the toss, decided to bat, and amassed a reasonable score of 159, setting the Ferns their highest chase total at home. Losing opener Gaze in the second over didn’t help, and then Plimmer fell for 29 after keeping captain Melie Kerr company for a bit. It was the partnerships of Kerr/Devine and Devine/Halliday that really sealed the deal, and by the time Devine was out for 64 they needed just another 11 runs from 17 balls, which they achieved with nine balls to spare. This sealed the series win 3-1, with one more match to play in Christchurch.

There was a bit of a wait for the men’s game, as it is timed to be shown after the TV News has finished at 7:00pm. We availed ourselves of dinner from the member’s lounge catering…not brilliant.

The Black Caps are also 2-1 up on the series, having lost the first game but absolutely pantsing the Proteas with bat and ball in the next two games – bowling them out for 107 after setting a target of 175 in the second match, and then restricting them to 139/9 in the third – a total they saw off in less than 17 overs. There were line-up changes for this match, bringing in some newer players, and also losing Tom Latham to injury. South Africa won the toss and decided to bat, setting a target of an achievable 165 for the Black Caps.

Unfortunately, the Black Caps failed to dazzle with the bat. No-one really got going and every time they seemed to get settled, another wicket fell. Neesham, in particular, who should have held the lower order together, was found wanting. Having skied the ball twice and been dropped twice in succession, what does he do? Hits it up again, and third time was a charm…caught for 6. Too much was being asked of the rest of the lower order, and South Africa eventually wrapped it up for 145, winning by 19 runs.

This leaves the men’s series tied at 2-2, with the final match on Wednesday in Christchurch. Should be a nailbiter!

 

The Rocky Horror Show

As the nights are starting to cool down and close in, the indoor entertainment scene in Wellington starts to liven up. Now showing at St James Theatre is a new production of The Rocky Horror Show. Nicola claims never to have seen the film all the way through, so this was a no-brainer.

First though…dinner, and time for another visit to perennial faves, Loggy B’s (Logan Brown to you). Last time we were there we had the leisurely Taste Of Logan Brown degustation menu, but this time we needed a quicker meal so were on the standard 3-course deal – still a snip at $95 each.  

It’s a short walk down the road and round the corner to St James Theatre, and we were ensconced in plenty of time for the show to begin. You know how it goes, right? Brad and Janet get stranded on the road and go to the local castle (!?) for help – there to be enmeshed in the goings-on at the castle, orchestrated by Frank N Furter, a transvestite from Transylvania, in the galaxy Transexual; ably assisted by RiffRaff, Magenta and Columbia. They did The Time Warp, Sweet Transexual, Dammit Janet and all the other songs. A lot of people had made the effort to dress up for the occasion, but I think we were channelling our inner Janet and Brad. All jolly good fun, catch it if you can!

 

Hutt Sounds 2026

Where does the time go?

Yes, well, I’ve been busy, and haven’t had time to blog for a while. I’ll try to fill in the gaps as best I can.

We booked early for Hutt Sounds again this year…almost as soon as they announced who the line-up would be. Yes, it’s possible to buy “early bird” tickets blind, without knowing who you’re going to see, but I was cautious. When they announced the line-up for the related Selwyn Sounds I was a little disheartened, as their headliner was Ronan Keating, who I have no particular desire to see. In past years, Selwyn, Auckland and Hutt have all had the same line-up…but this year, they’ve varied it, and the headliner is Tony Hadley, formerly of Spandau Ballet. Not a Keating to be seen! I booked the tickets.

We drove up to Upper Hutt early, with a plan to secure parking and go and see an exhibition of Japanese art at Whirinaki Whare Taonga beforehand. There was lots to admire, but I particularly liked this piece:

We lunched at the adjoining Dough Bakery café, then walked the short walk to Brewtown. Drizzle had set in in the morning, but we had rain gear with us and the forecast was for the weather to clear in the afternoon.

We needn’t have worried. This year, they’ve changed the format. Whereas in previous years we’ve taken our chances and sat outside in an open field, this year they’ve scaled it down somewhat and the whole of the audience is in the covered area – which previously had housed the food trucks. I don’t know why this was – maybe residents complaining about congestion? They hold several events at Brewtown, and I can see why it might be annoying if you live there; it’s right in a residential area.

We found a good spot, and settled in for the first act: Jan Hellriegel, a kiwi singer of the late 80s/early 90s. Never heard of her. She sang some songs, some with guitar, some with piano. Nothing about them inspired me to go out and investigate any further.

Next act: someone I’ve heard of! And way down the order in terms of who I know, but there are reasons for this; Lloyd Cole, Commotionless (as he has been for some time) playing a guitar set of some of his better-known songs for half an hour or so.

The next band out of the box were Mi-Sex, another Kiwi ensemble of the 80s. Lead singer Steve Gilpin died in a car crash in 1992, but has been replaced by Steve Balbi, an Australian musician (formerly of Noiseworks) since the band reformed in 2011. They released four albums in the 80s, and it seems a lot of people knew their work – it being a kiwi crowd, and Mi-sex were originally from Wellington. They provided a lot more energy than the two opening acts, and the crowd really started to get going. I know one song – Computer Games, which is on a compilation CD (yes, I still have CDs!) from the 80s. It was, I think, their biggest hit, so they naturally saved it to the end. Anyway, I have been inspired to investigate further and am awaiting the arrival of a greatest hits CD in the post (yes, I still have post!)

They were followed by another hi-energy group, Fun Lovin’ Criminals. They’re of a slightly later era, 90s rap-rock. They’re known for two major hits, The Fun-Lovin’ Criminal, which they opened with, and Scooby Snacks, noted for its frequent sampling of Quentin Tarantino movie dialogue – so much so that he sued, and won, a share of the royalties. They have, apparently, been successful with some other songs as well, and they provided an entertaining 50 minute set, finishing up with the aforementioned Scooby Snacks.

The next band on were When The Cat's Away, a successful (in New Zealand) girl band, again from the late 80s/early 90s, who were known for their cover versions of relatively unknown songs. Included in their set was Prince’s Let’s Go Crazy, to which they failed to do justice. I hadn’t heard any of their other songs, so took the opportunity to visit the food trucks at this point. Apparently, though, some people were here specifically for them, as when they finished their set, quite a few packed up and left!

And now, the moment we’ve been waiting for, the headline act! Tony Hadley took to the stage, and opened with…a Nina Simone number, Feeling Good. Nice song, but we’re here for the Spandau Ballet stuff, Tony! Fortunately he got on with it, and took us into To Cut A Long Story Short and Highly Strung, then several more of his hits. He plugged a couple of new songs (mediocre) and also included a cover of Queen’s Somebody To Love, which he shouldn’t have, really. He finished up with classics Gold and True, as you might expect. Overall a polished performance, lots of crowd participation, and yes, we know the words! That set list in full can be found here.

As usual, the show finished on the dot of 9:00pm, presumably in accordance with local ordinances, and we were back home by 10.

 

NZSO Evening

Due to reasons, we’re being schmoozed by the NZSO. They’re holding an event at Loggy B’s, better known as Logan Brown, and we’re invited along. The two institutions have enjoyed a long association, and we’ve been to some of their events before. 

It was an early start, so we set out to arrive by 5:30pm. In fact, we were little early as we found a park, if not quite Hollywood style, then at least Melrose. We wandered down Cuba Street to Logan Brown, and were greeted by Marc, who is the head honcho of the NZSO. He didn’t know us from Adam, of course, so after a brief hello he moved on to the next group arriving behind us.

We were offered wine, and LB staff walked around with canapés, which, being Logan Brown, were delicious and beautiful. We chatted a while with the NZSO marketing people, then I spotted Steve Logan and had a long talk with him. Then Nicola found the timpanist, Lawrence, who she knows through her other associations and we chatted with him for a while. Marc then tapped on a glass for silence, and delivered a short speech, followed by the lead flautist. Then we had a slightly more substantial food offering, hot-smoked salmon, terrine and other bits and pieces.

All jolly good fun and now that we’re on their list, who know what else we’ll be invited to?

Bill Bailey - Vaudevillian

How many times have we been to see Bill Bailey? Loads. Does this stop us from going to see him again? It does not. Because he’s brilliant. He’s back, this time with a show called Vaudevillian. 

Obviously, dinner first. We booked into perennial favourites Mr. Go’s, at a slightly later time than usual. It was packed! Clearly everyone else had had the same idea, and it took somewhat longer than usual for our food to come out, so we were a bit rushed towards the end. This caused some issues when it came to paying, as I had the Mosaic Passport, but even so it came to more than I was expecting *. We paid and hoofed it up to the road to take our seats with minutes to spare at the Michael Fowler Centre.

On came Bill, to rapturous applause, and he started off with describing how wonderful our country is and how much he enjoys coming here…obviously a crowd-pleaser. He then took issue with one tiny part of our culture, and that was a pie that he’d bought at a roadside café. Not that there was anything wrong with the pie per se, but he likened the temperature of the contents to lava, magma, molten rock in general. At this point he was heckled by an audience member. At first he couldn’t catch what they were saying, so various members of the audience continued to shout it until he understood: “always blow on the pie!” This was something that he’d never heard before, but is familiar to Kiwis. Fortunately, he had a screen cunningly placed on the stage in front of him (presumably operated off-stage) that supplied him with the answer. “Have I walked into a meme?” he asked. Yes, Bill, you have. No doubt he continued to relate this story throughout the rest of his tour.

The rest of the show continued his usual themes of whimsy, musical interludes and general entertainment. He’d warned us at the beginning that he was unwell, and was recovering from a cough that made him swear. He called it the “Fuckough” and he did it every time he coughed. He ranted about a certain orange character in the White House, and complained about the current state of politics in the UK. As usual, he invited audience participation, particularly for song suggestions for the various musical instruments he played, which included a one-stringed lute and a miniature banjo. Ever heard Enter Sandman on a one-stringed lute? Well, now I have!

As always, he gives value for money with a show that lasted over two hours, including encore. Can’t wait for his next one!

* Next morning, I got a call from Mr. Go's. Apparently they had two tables booked for someone called Rory, and they'd charged me the wrong one. Everything got sorted out.

Those shows in full:

Thoughtifier (Nov 2023)

En Route To Normal (Mar 2021)

Larks In Transit (Oct 2016)

Limboland (Nov 2014)

Qualmpeddler (2013)

Dandelion Mind (2011)

 

Monument

Circa Theatre continues to run with thought-provoking content. Monument follows similar themes to other recent productions at Circa such as Burn Her and Prima Facie concerning women in power and the pressures and contradictions that they face. Nicola was, as ever, on ushering duty. 

We decided to dine in-house at ChouChou, the newly-revamped restaurant at Circa. We both had the burgers – the Camembert and the Royale. Mine was, frankly, disappointing. I’m running out of things to choose from their menu so we might be ditching them as an option soon.

The play was in Circa 2, the smaller theatre, with a 100 minute runtime and no interval. The show kicks off in a hotel room, and that’s where all the action takes place. In this case, newly-elected youngest ever woman premiere Edith Aldridge is facing her first live appearance after gaining power. All of her usual support crew are stranded at a fogged-in Auckland airport (the play has been transplanted from its native Australian setting), and a last-minute make-up artist has been drafted in from a local department store. At first Edith is distrustful of Rosie and doubts her abilities, but over the course of the play opens up more, listens to advice from a member of the younger generation, and they change their decisions about dress and make-up accordingly. Rosie’s discourse on how much make-up you need for the “no make-up look” is illuminating in the TikTok and Insta era. Their relationships with the men in their lives, alive and dead, come into play, and these also end up on the chopping block.

There’s a serious message in the sometimes hilarious exchanges, and the positions they find themselves in: about perceptions, media and politics. Go see it if you get a chance.

 

Dave Dobbyn

Or Sir Dave Dobbyn, as he now is…is a kiwi icon and legend. Originally in a band called Th’Dudes, he then went on to form DD Smash before continuing his career as a solo artist. He’s been around since the 70s. 

He keeps cropping up in the Tuesday night quiz at The Old Bailey, and every time he does, we don’t know the song. As he announced his tour we thought this might be a good chance to catch up with some Kiwiana culture, and also be able to answer the questions when they come up at quiz!

We went for dinner at Ombra to complete our set of stamps for the Mosaic passport…as well as the fact that we haven’t been to Ombra in a while, and it’s pretty good. It’s a Venetian-inspired Italian in the same format as their other restaurants – food comes out when they feel like it rather than any of that old-fashioned first-course-then-main-course thing.

A quick trot down Cuba Street landed us at the Opera House, which was sold out to the third level gallery – not often used for concerts. We were up in the nosebleed seats. On came the support act – a chap called Anthonie Tonnon, who as well as being a musician is the operator of Whanganui’s Durie Hill Elevator. He played a set which was part electronic music, part performance, and part repartee.

Then on came Sir Dave and his band, to tumultuous applause. He played through a set which clearly everyone in the crowd (except us) knew, and interspersed the songs with chat about the history of the songs, touring, his previous bands, life, the universe, and everything. Apparently he was thrown out of the Opera House after one particularly rambunctious gig way back in the seventies; on his return this time the stage manager (the same one!) said “you’re back then”. He couldn’t think of anything to reply to that, other than “sorry”. Hopefully he won’t have to stay away for another 40 years this time!

He gave a good long set, followed by two encores of two songs apiece. The full setlist can be found here.

So that’s Dave Dobbyn. Now we know.